Collaborative making at Tate Modern, 5th floor, Blavatnik building on 3rd and 4th February 2018. Data for Data’s Sake (2018) invited visitors to take government data about UK government art collections (including the Tate’s) personalise it, shred it and cage it, to produce new works of data.
Using XML data from the government data website (government art collection) for performance reading/singing of raw data.
Shredding the data
Highlighting/colouring A4 sheets to produce new ‘works of Data’ + inviting visitors to make their own works from shredding the data and caging the data. Works of Data which turn into works of art, which must, of course, be destroyed… because: Continue reading “Data For Data’s Sake #2 – Shredding”
Tate Exchange Conceptual Art Collaboration, Performance and Production.
Andrew Gallacher: Data for Data’s Sake
I will deliver spirited readings of this data. Perhaps I will stand at a lectern and be lit theatrically. I may wear a costume – perhaps academic robes, or a clerical surplice, or the evening dress of a concert tenor. These performances could last about 5 minutes and be performed to fit in with other events taking place in the venue. I envisage 4 such performances on each of the two days. Continue reading “Tate Exchange 3/4th Feb 2018: School of Beginnings”
Here are two works of art.
Jean-Michel Basquait’s Untitled (1982)
and Andrew Gallacher’s Data for Data’s Sake #3 (2018)
The Basquait sold at auction for $110,000,000 (bought by Yusaku Maezawa who then took a selfie with the painting and posted it on instagram.) Continue reading “The Ten Million Dollar Difference: Basquiat V. Gallacher”